Pastimes is the first book in English on Chinese jinshi, or antiquarianism, the pinnacle of traditional connoisseurship of ancient artifacts and inscriptions. As a scholarly field, jinshi was inaugurated in the Northern Song (960–1127) and remained popular until the early twentieth century. Literally the study of inscriptions on bronze vessels and stone steles, jinshi combined ...(展开全部)

Pastimes is the first book in English on Chinese jinshi, or antiquarianism, the pinnacle of traditional connoisseurship of ancient artifacts and inscriptions. As a scholarly field, jinshi was inaugurated in the Northern Song (960–1127) and remained popular until the early twentieth century. Literally the study of inscriptions on bronze vessels and stone steles, jinshi combined ...(展开全部)

This volume rethinks the role of the Sino-Japanese medical classics during the early modern period in light of antiquarianism, languages, and medical philology. Philology in particular allows the authors to address the changing meaning of the same term, which often reflected well-known metaphors in the source language that were transposed to the target language. Each essay touc...(展开全部)

This volume rethinks the role of the Sino-Japanese medical classics during the early modern period in light of antiquarianism, languages, and medical philology. Philology in particular allows the authors to address the changing meaning of the same term, which often reflected well-known metaphors in the source language that were transposed to the target language. Each essay touc...(展开全部)

The present volume is based on two scholarly gatherings organized by the Center of the Art of East Asia, Dept. of Art History, at the University of Chicago to explore this theme in great detail. The conference papers, and now these resulting essays, offer new insights into this phenomenon, its philosophies, technologies, and the individual involved in represening the past in Ch...(展开全部)

The present volume is based on two scholarly gatherings organized by the Center of the Art of East Asia, Dept. of Art History, at the University of Chicago to explore this theme in great detail. The conference papers, and now these resulting essays, offer new insights into this phenomenon, its philosophies, technologies, and the individual involved in represening the past in Ch...(展开全部)

Zuozhuan (Zuo Tradition) is the foundational text of Chinese historiography and the largest text from preimperial China. For two millennia, its immense complexity has given rise to countless controversies, with scholars debating its nature, time of composition, and historical reliability. In the present volume—the first of its kind in any Western language—leading scholars of an...(展开全部)

Zuozhuan (Zuo Tradition) is the foundational text of Chinese historiography and the largest text from preimperial China. For two millennia, its immense complexity has given rise to countless controversies, with scholars debating its nature, time of composition, and historical reliability. In the present volume—the first of its kind in any Western language—leading scholars of an...(展开全部)

罗斯•狄更斯(Rosie Dickins)，在英国和香港长大，于牛津大学学习文学，在巴黎研读艺术史。现在定居英国伦敦，在Usborne出版社工作。另著有《艺术，怎么一回事？》（The Usborne Introdution to art）。

阿纳尔多·莫米利亚诺（Arnaldo Momigliano，1908—1987），20世纪最重要的古典文明和古代世界研究者之一。年仅28岁即成为都灵大学古代史教授，后因犹太人身份被迫流亡英国，先后任教于牛津大学、伦敦大学学院、芝加哥大学等多所高校。著作等身，其意大利语和英语论文后收入多卷本《古典学学术史研究论集》。 晏绍祥，首都师范大学历史学院教授，主要从事西方古典文明研究，代表作为《古典历史研究史》（两卷本）。 黄洋，复旦大学历史学系教授，教育部“长江学者奖励计划”特聘教授，主要研究领域为古希腊史。